The Romans
thought of artists as “having a genius”. Unlike the modern humanist idea
that
artists ARE geniuses, they believed that artists were visited by
entities that
gave them a spark, an idea that either burst into creative flame or was
dumped
on the ash heap. Whatever happened, the artists had a partner in success
or
failure. Their “genius” brought them divine inspiration. This notion,
learned from
a TED presentation by Elizabeth Gilbert of “Eat Pray Love” fame, makes
total
sense to me. Great ideas do seem to spark out of nowhere…or more likely,
from
everywhere.
My genius
brings me vintage textiles, imbued with the spirits of the women who
made them
so long ago. These bits and pieces are sometimes buried in other works
or in
plastic garbage bags in the corners of carpet shops. They wait for my
genius to
strike a match, to bring them back out into daylight.
Like the small
Uzbek embroideries I’ve been carrying around with me for the past 7
months.
Originally parts of hats, belts and robes, these painstakingly
hand-stitched
wonders came to me as part of a poorly executed new patchwork quilt,
used as
centers of cheap bright polyester squares. Such small pieces, less than
8”
square by the time they come to me, are often from a larger original
work, so
some of them ‘match’. They are of little value to wholesalers no matter
how
detailed the handwork, in comparison to other complex pieces like a silk
carpet. But a woman still poured many hours of her life into designing
the
intricate patterns and stitching each tiny stitch.
So I save them,
until I decide what new life they’ll have. These red remnants just
called out
to be slippers. There is a certain magic to red, the color that
represents love
and prosperity here in Turkey,
in fact all over Asia. What better color to
dress your feet?
I cut the
embroideries into toe shapes – this is always an approximation, starting
larger
until I get it right to fit a small to medium sized woman’s foot in this
case.
Dense woven pieces like these have no stretch to them, which is why I
make the
rest of the slippers from pieces knitted in cotton so they will conform
to the
wearer’s foot. I especially love the floral patchwork on the backs of
the
embroideries. No scrap was left unused in the household of the woman who
stitched these!
The soles are a
double-ply of true tomato red and black cotton in my favorite
alternating rib
pattern. The backs are in red cotton ‘lace’; using delicate patterns in
thick,
sturdy yarns compliments the delicate looking but durable embroidery.
Finally,
I knit an I-cord drawstring to ring the top so the wearer can securely
keep the
slippers on her feet.
The first
slipper goes together with some trial and error, but that’s part of the
fun.
The pieces are hand-sewn with cotton thread, then all seams are
chain-stitched
for extra strength. As with all two-piece projects, my greatest
challenge once
the first slipper is made is finishing the second one. If only my genius
knew
how to use a needle!
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Chateau Apollo Wedding – Kymberley & Anthony
14 hours ago
Wonderful post: excellent description of the project, excellent photographs as well. Lovely idea and description to have a visiting entity, a genius sparking ideas! I think I was just visited by an entity, as I have a couple of wonderful Usbekistan embroidery pieces and they are just waiting...
ReplyDeleteAnd I can understand so well your final comments regarding the challenge of making the second slipper the same as the first one... on the other hand, there is no need for two slippers to be identical, is there? ;-)
Thanks Laura, and sorry for my late response! Been getting lots of strange comments in Japanese, so yours got lost.
ReplyDeleteWe do get visited by entities, when they want to appear, not on our schedule - whether I'm working with textiles or writing. The trick is to make the most of the visits when they happen!
And since supposedly no two feet are alike, I guess you're right that slippers don't need to be either.